5. Michelangelo's Pieta a. was commissioned by a French Cardinal and is Michelangelo's 1st masterpiece b. serves as a symbol of Florentine liberty c. is cast using the lost-wax method d. all of the above

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Answer 1

Michelangelo's Pieta d. all of the above.The statement is true.

The Pieta was indeed commissioned by a French Cardinal, Jean de Bilhères, and is considered one of Michelangelo's earliest masterpieces. It was completed in 1499 when Michelangelo was in his early twenties.The statement is also true that the Pieta serves as a symbol of Florentine liberty. The sculpture depicts the body of Jesus in the arms of his mother Mary after the crucifixion, and it was initially placed in St. Peter's Basilica in Rome. The Pieta reflects the themes of compassion, grief, and redemption, which resonated with the spirit of the Florentine Republic. However, the statement is not accurate when it comes to the casting method. The Pieta is not cast using the lost-wax method. It is carved from a single block of marble, showcasing Michelangelo's extraordinary skill as a sculptor.Therefore, the correct answer is d. all of the above, as two of the statements are true, while one is inaccurate.

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Related Questions

10. Romanticism a. shifts emphasis from reason/intellect to feeling/emotion b. embraces the idea that man is born innocent/good, society corrupts him c. explores notions of exotic, erotic and sublime d. all of the above

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The right response is d) all of the above.

                       Romanticism valued the strength of emotion and intuition and represented a shift away from rationality. It frequently adopted the idea that people are born virtuous or innocent and that society corrupts them over time. As it looked for inspiration in unusual topics and emphasized the enigmatic and amazing aspects of life, romanticism also explored ideas of the exotic, the sensual, and the sublime.

                        The Romantic movement, which questioned the Enlightenment's goals and praised the individual's emotional and creative experience, was characterized by the presence of these traits in its artistic, literary, and philosophical works.

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Romanticism d. all of the above.

Romanticism, an artistic and intellectual movement that flourished in the late 18th to mid-19th century, encompassed a wide range of themes and ideas. It indeed shifted the emphasis from reason and intellect to the realm of feeling and emotion, valuing individual subjectivity and personal experience as sources of inspiration. Furthermore, Romanticism often embraced the idea that man is born innocent or good, and it is society that corrupts him. This notion can be seen in works such as William Blake's "Songs of Innocence and Experience" or Jean-Jacques Rousseau's philosophy on the "noble savage."Romanticism also explored notions of the exotic, erotic, and sublime. Artists of the Romantic period were fascinated by the unknown, the mysterious, and the unfamiliar, drawing inspiration from distant lands, nature's grandeur, and the depths of human passions.
Therefore, the correct answer is d. all of the above. Romanticism encompassed a shift from reason to emotion, explored the concept of man's innate goodness and society's corruption, and delved into the realms of the exotic, erotic, and sublime.

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Italian Baroque works by Caravaggio and Gentileschi often a. feature figures from the Bible/Christianity b. use theatrical or dramatic lighting c. depict violent scenes d. all of the above

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The correct answer is (d) all of the above-mentioned. The Bible or Christianity are frequently used as the inspiration for Caravaggio and Gentileschi's Italian Baroque paintings.

                       Some of Gentileschi's best-known works are Susanna and the Elders (1610 version in Pommers Felden), Judith Slaying Holofernes (1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (1625 version is in the Detroit Institute of Arts).

                       Caravaggio's greatest paintings, those that made his reputation as one of the best history painters in Italy, include The Calling of Saint Matthew (1600) and The Martyrdom of Saint Matthew (1600), for the Contarelli Chapel; Conversion on the way to Damascus (1601) and the Crucifixion of Saint Peter (1601) for the Cerasi Chapel and many more.

                      To create a sharp contrast between light and dark and to enhance the depth and intensity of their compositions, they frequently use chiaroscuro lighting, also known as theatrical or dramatic lighting. Numerous of their compositions also include violent scenarios that depict dramatic passages from the Bible or actual events.

                      Caravaggio and Gentileschi were well renowned for their dramatic and emotionally charged techniques, and they combined these elements to create powerful and engrossing artworks.

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Italian Baroque works by Caravaggio and Gentileschi d. all of the above.The statement is true.

Both Caravaggio and Artemisia Gentileschi, prominent Italian Baroque artists, created works that feature figures from the Bible and Christianity. Caravaggio's paintings, such as "The Calling of Saint Matthew" and "The Conversion of Saint Paul," often depict biblical scenes and religious figures. Similarly, Gentileschi's works, like "Judith Slaying Holofernes" and "Susanna and the Elders," draw inspiration from biblical narratives. Additionally, Caravaggio and Gentileschi were known for their use of theatrical or dramatic lighting, a technique known as chiaroscuro. They employed strong contrasts of light and shadow to create a sense of depth, intensity, and emotional impact in their paintings.Furthermore, both Caravaggio and Gentileschi depicted violent scenes in their artworks. Caravaggio's compositions, such as "The Martyrdom of Saint Matthew" and "David with the Head of Goliath," often portrayed moments of intense violence and dramatic action. Gentileschi, influenced by her own personal experiences, depicted strong and heroic women in scenes of violence and retribution, as seen in works like "Judith Slaying Holofernes."
Therefore, the correct answer is d. all of the above. Caravaggio and Gentileschi's Italian Baroque works feature figures from the Bible/Christianity, use theatrical or dramatic lighting, and depict violent scenes.

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copperplate printing, like typographic printing, is relief process. true or false

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Answer: false

Explanation: Cause if you look at it on quizlet for studying it says false

Copperplate printing, like typographic printing, is a relief process. The given statement is True.

What is copperplate printing? Copperplate printing also known as copper engraving or line engraving is an intaglio printmaking process. In which, the image is incised onto a plate. Copperplate printing is a printing process that uses an engraved copper plate to transfer ink to paper. Engraving, drypoint, etching, and aquatint are all intaglio printing processes. How does it work? A print is made in copper plate printing by creating grooves on a copper plate and then filling them with ink. Then, using a press, the ink is transferred from the plate onto a piece of paper. This is a time-consuming and meticulous process. It necessitates a lot of skill, patience, and attention to detail. The results of copperplate printing are typically exquisite, highly detailed, and fine. Copperplate printing is a type of relief printing, as the ink is transferred from the raised portions of the plate onto the paper. Therefore, it is true that copperplate printing, like typographic printing, is a relief process.

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Click this link to view O*NET’s Tasks section for Social and Human Service Assistants. Note that common tasks are listed toward the top, and less common tasks are listed toward the bottom. According to O*NET, what are some common tasks Social and Human Service Assistants perform? Select four options. providing information keeping records or preparing reports marketing and selling products interviewing individuals or family members submitting reports, and reviewing reports or problems providing medical care as needed

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According to O*NET's Tasks section for Social and Human Service Assistants, some common tasks performed by them include:

Providing information

Keeping records or preparing reports

Interviewing individuals or family members

Submitting reports and reviewing reports or problems.

According to O*NET's Tasks section for Social and Human Service Assistants, some common tasks performed by these professionals are:

Providing information: Social and Human Service Assistants often provide information to clients about available resources, services, and programs. They may explain eligibility criteria, application processes, and program benefits.

Keeping records or preparing reports: These professionals are responsible for maintaining accurate and up-to-date records of client interactions, services provided, and progress made. They may also prepare reports summarizing client information or documenting specific cases.

Interviewing individuals or family members: Social and Human Service Assistants conduct interviews to gather information about clients' backgrounds, needs, and goals. These interviews help assess clients' situations and determine appropriate services or referrals.

Submitting reports and reviewing reports or problems: Social and Human Service Assistants are often involved in the submission and review of reports. They may submit progress reports, update case files, or report concerns or problems regarding clients to supervisors or relevant agencies.

It's important to note that providing medical care is not listed as a common task for Social and Human Service Assistants according to the O*NET source.

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13. Impressionists works like Renoir's Le Moulin de la Galette a. celebrate the new urbanized Paris b. attempt to capture a single moment c. cropped edges mimic photography d. all of the above

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Impressionist works like Renoir's "Le Moulin de la Galette" d. all of the above.

Renoir's painting and Impressionist works in general embody all of the mentioned characteristics. Firstly, Impressionist works, including "Le Moulin de la Galette," often celebrate the new urbanized Paris. They depict scenes of modern life, capturing the bustling energy and social activities of the city. These paintings reflect the changing landscape and the emergence of a vibrant urban culture in Paris during the late 19th century.Secondly, Impressionists aimed to capture a single moment or fleeting impression. They sought to convey the ever-changing play of light, atmosphere, and movement in their artworks. "Le Moulin de la Galette" portrays a scene at an outdoor dance venue, capturing the momentary joy and liveliness of the event.Lastly, the cropping of edges in Impressionist paintings can be seen as a technique inspired by photography. By cropping their compositions, the artists mimic the way a photograph captures a scene, suggesting that the painting is a snapshot of a larger reality. This compositional choice adds a sense of immediacy and enhances the impression of capturing a singular moment in time.Therefore, the correct answer is d. all of the above. Renoir's "Le Moulin de la Galette" and Impressionist works celebrate urbanized Paris, attempt to capture a single moment, and utilize cropping techniques reminiscent of photography.

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jacob is writing a composition in the key of c major with this chord progression: i-vi-iv-v. chord has the root note f?

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The chord with the root note F in the key of C major and the given chord progression (i-vi-iv-v) would be F major (F).

What is a chord?

In music, a chord is three or more single notes heard at the same time. Chords can be harmonious, signaling repose, or discordant, implying subsequent resolution to and by another chord, depending on the harmonic style.

Chords in conventional Western harmony are generated by superimpositions of third intervals.

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Question 81.5 pts
Which of the following is the least preferred causal research
design?
Group of answer choices
Pre-test
Post-test
Pre-test and post-test
Control test
Pre-test and post-test with a con

Answers

Among the options listed, the least preferred causal research design is Pre-test and post-test with a control group.

In causal research, the objective is to establish a cause-and-effect relationship between variables. Different research designs are employed to achieve this goal. Among the options provided, the pre-test and post-test design with a control group is the least preferred.Pre-test and post-test with a control group design involves measuring the outcome variable before and after the treatment or intervention, while also including a control group that does not receive the treatment. Although this design allows for the comparison of the treatment group to the control group, it has some limitations. One limitation is that the design can be susceptible to threats to internal validity, such as selection biases and history effects. The control group may not be equivalent to the treatment group at the outset, making it challenging to attribute the observed differences solely to the treatment. Additionally, external factors or events during the study period can influence both the treatment and control groups, potentially confounding the results.Other designs, such as randomized controlled trials (RCTs) or matched pairs design, provide stronger control over confounding factors and help establish causal relationships more effectively. These designs minimize biases and increase the reliability of causal inferences.Therefore, while the pre-test and post-test with a control group design can still provide valuable insights, it is considered the least preferred among the listed options for establishing causality in research.

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