Franz Schubert acted as a torchbearer at the funeral of Ludwig van Beethoven a year before his own death. Franz Schubert, an Austrian composer of the late Classical and early Romantic eras, was a great admirer of Ludwig van Beethoven.
In fact, he was one of the torchbearers at Beethoven's funeral in 1827. This was a significant honor for Schubert, as Beethoven was a towering figure in the world of music at the time. Schubert himself died the following year, at the age of only 31. A year before his own death, Franz Schubert acted as a torchbearer at the funeral of fellow composer Ludwig van Beethoven. In 1827, Franz Schubert participated in Ludwig van Beethoven's funeral procession as a torchbearer, paying his respects to the influential composer. Schubert himself passed away just a year later, in 1828.
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which best describes the overall rhythm of this work? a. free-flowing b. strict and marchlike c. a steady triple-meter dance d. funereal
The rhythm of this piece is best described as being free-flowing overall. Option a is Correct.
As the metres of 6/8 and 9/8 alternate, the rhythm becomes fluid. Since the opening flute statement, the dissonant interval of the augmented fourth (or tritone) has been present. A sinuous flute melody reminiscent of a lovely feminine shape opens Debussy's piece. Soon, phrases for horns, harp, and strings that gradually build in volume are added. The music moves forward without sudden changes; the ideas meld together and rise and fall gradually.
Ternary (A-B-A') is the best way to sum up Debussy's Prelude to "The Afternoon of a Faun" as a whole. Semitones are used only in the construction of the whole-tone scale, a favourite tool of Impressionist composers. The piece is regarded as the best illustration of musical Impressionism, a well-liked creative style. Option a is Correct.
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Which of these themes are in the play julius caesar? choose five options.
Five themes found in the play "Julius Caesar" by William Shakespeare: 1. Power and Corruption 2. Manipulation and Deception 3. Loyalty and Betrayal 4. Fate versus Free Will 5. The Nature of Ambition
There are many themes present in the play Julius Caesar by William Shakespeare. Here are five options:
1. Ambition: One of the central themes in the play is ambition. Characters like Caesar, Brutus, and Cassius are all driven by their desire for power and status.
2. Betrayal: Another prominent theme is betrayal. Characters like Brutus and Cassius betray Caesar's trust, while Antony and Octavius ultimately betray Brutus and Cassius.
3. Fate vs. Free Will: The play also explores the tension between fate and free will. Characters like Caesar believe in the inevitability of their destiny, while others like Cassius argue that they have the power to shape their own fate.
4. Leadership: Leadership is a theme that runs throughout the play. Characters like Caesar and Brutus grapple with what it means to be a good leader, while Antony and Octavius compete for power and control.
Loyalty: Finally, loyalty is a key theme in the play. Characters like Brutus and Cassius must balance their loyalty to their friend Caesar with their loyalty to the Roman Republic, while Antony and Octavius rely on the loyalty of their soldiers and supporters to secure their power.
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by working within the framework of recognizable european art convention to complicate or overturn a viewer's understanding of that convention, kerry james marshall's many mansions can be compared to
Kerry James Marshall's several mansions are comparable to the sensory, subjective, psychological, or emotional qualities we experience in a work of art because they operate within the parameters of recognisable european art standard to confuse or overturn a viewer's interpretation of that convention.
The visual emphasis or the picture that can be gleaned by studying the artwork; the "what" CONTENT The message that the artist or the artwork conveys; the "why" Installation artworks, sometimes called "environments," can take up an entire room or gallery space, requiring the viewer to go around it in order to interact completely with the piece of art.
The term "formalism" refers to the critical viewpoint that a piece of art's form is its most crucial component.
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Where was winslow homer’s ""breezing up"" seascape featured?.
The invention of oil paints sold in tubes was a boon to artists who preferred painting outdoors, because the new paints were impervious to rain and other weather conditions. T/F?
The development of oil paints available in tubes was a windfall to painters who enjoyed painting outside because the new paints were immune to rain and other weather conditions. This statement is true.
The invention of oil paints sold in tubes in the mid-19th century was a significant breakthrough for artists, particularly those who preferred painting outdoors or in plein air. Before the invention of tubes, artists would often have to grind and mix their own pigments, or purchase pre-made pigments that were sold in dry cakes or jars.
This made painting outdoors a cumbersome and time-consuming task, as artists would need to carry large quantities of pigment and other materials with them. The new oil paints sold in tubes offered several advantages over traditional pigments. For one, they were easier to transport and use, as they could be squeezed directly onto a palette without the need for additional preparation.
Additionally, the paints were more durable and resistant to weather conditions, making them ideal for outdoor painting. With the introduction of tube paints, artists were able to paint more freely and spontaneously, capturing the fleeting effects of light and atmosphere that had previously been difficult to capture in a studio setting.
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Match the descriptive words or phrases with the different elements of music as found in the final movement of Bach's Cantata No. 140.
The final movement of Bach's Cantata No. 140 showcases a driving rhythm in the bass, lively dynamics, a descending melody in long notes, and a combination of different instruments in the orchestra. Here option B is the correct answer.
The following matching of descriptive words or phrases with the different elements of music found in the final movement of Bach's Cantata No. 140:
1. Rhythm - Repeating patterns of short notes in the bass
2. Dynamics - Energetic and lively
3. Melody - Descending melody in long notes
4. Harmony - Combination of different instruments in the orchestra
5. Timbre - Bright and festive
The final movement of Bach's Cantata No. 140, commonly known as "Wachet auf, ruft uns die Stimme" or "Sleepers Wake," is a chorale fantasia written for a four-part choir, soloists, and a small orchestra. It features a majestic melody, which is accompanied by intricate harmonies and a driving rhythm in the bass. The dynamics of the piece are lively and energetic, reflecting the joyful nature of the text.
The melody of the piece is characterized by a descending line in long notes, which adds to the gravity and solemnity of the piece. Harmony, on the other hand, is a combination of different instruments in the orchestra, including strings, oboes, and trumpet, which work together to create a full and rich sound.
Lastly, the timbre of the piece is bright and festive, fitting the text of the chorale, which speaks of the arrival of the bridegroom and the joy of the wedding feast. Overall, the different elements of music in this final movement of Bach's Cantata No. 140 work together to create a joyful and uplifting musical experience.
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Complete question:
Which of the following matches the descriptive words or phrases with the different elements of music as found in the final movement of Bach's Cantata No. 140?
A. Melody
B. Harmony
C. Rhythm
D. Dynamics
E. Timbre
1. Repeating patterns of short notes in the bass
2. Energetic and lively
3. Bright and festive
4. Descending melody in long notes
5. Combination of different instruments in the orchestra
Options:
A. 4, 5, 1, 2, 3
B. 2, 3, 4, 1, 5
C. 1, 5, 2, 3, 4
D. 3, 2, 5, 4, 1
E. 5, 1, 3, 2, 4
discuss the ways in which folk artist bob dylan set himself apart from his musical contemporaries to achieve long-lasting success.
The ways in which folk artist - Bob dylan set himself apart from his musical contemporaries to achieve long-lasting success is by special songwriting skills.
How is this so?Pioneering a unique approach to songwriting by fusing folk, rock, and socially conscious lyrics together in one emotive package allowed Bob Dylan to break away from the crowd of other contemporary musicians who aimed for commercial success only.
As he continued developing this artistic blend through years of experimentation with different styles and sounds, he became known as one of the most versatile performers in the industry. But perhaps what truly cemented his place in history was his ability to bring this passion alive on stage night after night.
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which of the following songs is not really a beatle song due to its avant-garde experimentalism reminiscent of contemporary electronic music?
Answer: Revolution 9
Explanation:
the plan for the court of the lions at the alhambra included an open-air patio with a carved, centrally placed fountain surrounded by ornamental plants, a design that was mainly intended to elicit a sense of
The plan for the Court of the Lions at the Alhambra was designed with the intention of eliciting a sense of tranquility and serenity. The open-air patio features a centrally placed carved fountain surrounded by ornamental plants, creating a visually stunning and peaceful environment.
The design was influenced by Islamic architectural principles, which place great emphasis on symmetry, balance, and the use of natural elements. The Court of the Lions was also designed to serve as a meeting place for the royal family, making it a symbol of power and prestige. Today, visitors to the Alhambra can experience the beauty and peacefulness of the Court of the Lions for themselves, and marvel at the skill and ingenuity of the architects and artisans who created this masterpiece of Islamic art and architecture.
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Which nation invades Scotland at the end of the play?
In William Shakespeare's play Macbeth, it is England that invades Scotland at the end of the play. Here option A is the correct answer.
The play tells the story of Macbeth, a Scottish general who becomes consumed by ambition and greed for power, leading him to commit a series of murders to secure his place as king of Scotland. Macbeth's reign is marked by chaos, bloodshed, and instability, as he struggles to maintain his power and keep his secrets hidden.
As the play reaches its climax, Macbeth's tyranny and brutality have caused widespread unrest and rebellion among his subjects. In response, the English army, led by Siward, Earl of Northumberland, marches into Scotland to support the Scottish rebels and overthrow Macbeth.
The final battle takes place at Dunsinane Castle, where Macbeth is ultimately defeated and killed by Macduff, a Scottish nobleman who has been driven to seek revenge against him. Thus, the invasion of England serves as a pivotal moment in the play, marking the beginning of the end of Macbeth's doomed reign and leading to his ultimate downfall.
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Complete question:
Which nation invades Scotland at the end of the play?
A. England
B. France
C. Spain
D. Germany
Which of the following are qualities of most Impressionist artists and their paintings? CHECK ALL THAT APPLY they rejected the traditional values of the Academy they painted outdoors and captured natural light they prided themselves on exhibiting at the various salons sponsored by the Academy they evoked the sensations of the everyday life their brushstrokes were visible and paintings appeared to be unfinished
These are characteristics of most Impressionist painters' work; they disregarded the established values of the Academy; they painted outside and caught natural light. Option 1 is Correct.
The term "Impressionism" refers to a painting movement that originated in France in the middle to late 19th century. Characteristics of the movement include colour, a stress on the precise representation of natural light, and tiny, apparent brushstrokes that convey the sense of shape.
Impressionism was a style of painting that emerged in the 19th century and was distinguished by relatively thin, visible brushstrokes, an open composition, a focus on accurately capturing the changing qualities of light (often emphasising the effects of time passing), commonplace subjects, unusual viewing angles, and inclusion. Option 1 is Correct.
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Correct Question:
Which of the following are qualities of most Impressionist artists and their paintings? CHECK ALL THAT APPLY
1. they rejected the traditional values of the Academy they painted outdoors and captured natural light
2. they prided themselves on exhibiting at the various salons sponsored by the Academy
3. they evoked the sensations of the everyday life
4. their brushstrokes were visible and paintings appeared to be unfinished
which of the following are types of music that european immigrant composers in the united states drew from to establish a national american school? which are not?
European immigrant composers in the United States drew from various types of music to establish a national American school, but jazz, folk music, and classical music were among the most significant influences. Here options A, B, and C are the correct answers.
Jazz, which originated in African American communities, played an important role in shaping American music in the early 20th century. European immigrant composers, such as George Gershwin and Aaron Copland, incorporated jazz elements into their works to create a uniquely American sound.
Folk music, including traditional songs and melodies from different regions of the United States, also influenced European immigrant composers. Composers like Charles Ives and Virgil Thomson used folk music as a source of inspiration, incorporating it into their compositions to create distinctly American pieces.
Rock and Roll and hip-hop, on the other hand, emerged much later and were not significant influences on the establishment of a national American school by European immigrant composers in the early 20th century.
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Complete question:
Which of the following types of music did European immigrant composers in the United States draw from to establish a national American school?
A) Jazz
B) Folk music
C) Classical music
D) Rock and Roll
E) Hip-hop
When a character in an opera is talking about what is happening, often in a simple, straightforward, and syllabic style, he/she is singing a ______.
A character singing a recitative while they are discussing the action of an opera, frequently in a direct, syllabic manner.
A fugue (/fju/) is a contrapuntal compositional style used in music. It is composed in two or more voices and is based on a subject (a melodic theme) that is presented at the beginning in imitation (repetition at various pitches) and returns repeatedly throughout the work.
Classical music emphasised formality, order, and hierarchy as well as a "clearer," "cleaner" style that used brighter contrasts and "tone colours" (achieved by using dynamic changes and modulations to more keys), as well as clearer divisions between parts (notably, a clear, single melody accompanied by chords).
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Listening Guide 7:
Dido's Lament (2 parts: recitative then the aria)
"Thy hand, Belinda"
then "When I am laid in earth" (1689):
Performing Forces:
The combination of Purcell's poignant music and the expressive power of the soprano's voice make Dido's Lament one of the most memorable and moving pieces in the Baroque repertoire.
Dido's Lament is a famous aria from the opera Dido and Aeneas composed by Henry Purcell in 1689. It is usually performed by a soprano accompanied by a small ensemble of period instruments. The instrumentation can vary but typically includes a string section consisting of violins, violas, cellos, and double bass, as well as a keyboard instrument such as a harpsichord or organ.
The vocal type required for the soprano soloist is a lyric soprano, who can sing with a clear, pure tone and has a good command of Baroque-style ornamentation. The aria is usually performed in two parts: first, the recitative "Thy hand, Belinda" and then the aria "When I am laid in earth".
The aria's emotional impact is often enhanced by its simple and plaintive melody, the use of descending chromatic lines, and the use of dissonances to convey the character's anguish.
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Complete question:
What instruments and vocal types are typically involved in a performance of Dido's Lament, also known as "Thy hand, Belinda" and "When I am laid in earth", composed in 1689?
Most likely wrote eine kleine nachtmusik for string quartet with support from a double bass. true false
Probably composed Eine petite Nachtmusik for string quartet with double bass accompaniment. True.
The four movements of Mozart's 1787 composition Eine Kleine Nachtmusik are usually performed by a string quartet or a chamber orchestra. Wolfgang Amadeus Mozart's Serenade No. 13 in G Major, K 525—also known as "A Little Night Music"—is praised for its vivacious, jovial tone and its enduring melodies.
It is composed for two violins, viola, cello, and double bass. The composer had lately lost his father, was short on employment, and was in financial trouble. It's possible that Mozart's joyous composition A Little Night Music was only an effort to shed some light on his rapidly becoming darker reality.
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the theme heard in this excerpt is played by a. only woodwinds. b. the full orchestra. c. only percussion. d. only strings.
The excerpt mentioned in the question is not provided, so it is impossible to determine the exact theme being referred to. However, in general, the theme of a piece of music can be played by any combination of instruments or sections within the orchestra, depending on the composer's intention. It is not uncommon for a theme to be played by one particular section or instrument group, such as only the strings or only the woodwinds.
Alternatively, the full orchestra may be used to play the theme for a more grandiose and full-bodied effect. Therefore, without more information about the specific piece of music in question, it is difficult to determine which instrument group plays the theme.
Based on the information provided, it's not possible for me to determine the correct answer to your question as there is no specific excerpt mentioned. If you could provide more context or details about the excerpt, I would be happy to help!
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impressionist painters a. tried to capture the freshness of their first impressions on canvas. b. are noted for their innovative technique of painting in small dots and strokes. c. expressed their impressions of their surroundings through the use of geometric shapes. d. were interested in capturing intense emotional expression on canvas.
Impressionist painters were artists who sought to capture the world around them in a new and innovative way. They are best known for their unique techniques and styles, which set them apart from the traditional art of their time.
One of the key characteristics of impressionist painting is the focus on capturing the freshness of a first impression. Impressionists believed that the first impression of a scene or object was the most important, and sought to capture this initial impression on canvas. This often meant painting quickly and spontaneously, using loose brushstrokes and bold colors to create a sense of movement and energy.
Another hallmark of impressionist painting is the use of small dots and strokes of paint, known as "pointillism." This technique involved applying small dots of color to the canvas, which would blend together when viewed from a distance.
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what was unique about the musical oklahoma! in terms of the development of musical theatre in america?
There were several aspects of the musical Oklahoma! that were unique in terms of the development of musical theatre in America. First and foremost, Oklahoma! was the first musical to fully integrate all aspects of production, including music, lyrics, book, choreography, and design. This integration allowed for a seamless and cohesive storytelling experience that was new to musical theatre at the time.
Another unique aspect of Oklahoma! was its use of dance as a storytelling device. Choreographer Agnes de Mille was integral to the creation of the show, and her balletic choreography helped to advance the plot and reveal character motivations in a way that had not been seen before in musical theatre. terms of music, Oklahoma! also broke new ground. The show's composer, Richard Rodgers, and its lyricist, Oscar Hammerstein II, sought to create songs that were character-driven and advanced the story, rather than just providing entertainment. This approach to musical storytelling was innovative and influential, and set the stage for many future musicals.
Overall, Oklahoma! was a game-changing musical that ushered in a new era of integration, storytelling, and innovation in musical theatre. Its influence can still be seen in the musicals of today, making it a true landmark in American theatre history.
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Given relationships A and B, where A has a foreign key to B, what happens when you try to INSERT something into A whose foreign key isn't in B?
Attempting to insert a record into a table with a foreign key that references a non-existing value in another table will result in a foreign key constraint violation and prevent the insertion operation, ensuring referential integrity between the tables.
When attempting to insert a record into Table A that references a non-existing foreign key value in Table B, a foreign key constraint violation will occur. This means that the database management system (DBMS) will prevent the insertion operation and raise an error indicating that the foreign key constraint has been violated.
The foreign key constraint is a rule that enforces referential integrity between two tables. It ensures that the value inserted into a foreign key column of a child table (A) matches the value of the primary key column in the parent table (B). This relationship ensures that the data remains consistent and avoids orphaned records in child tables that have no corresponding record in the parent table.
When a foreign key constraint violation occurs, the DBMS will reject the insertion operation and roll back the transaction, leaving the data in its original state. The user will need to either insert a corresponding record into Table B or modify the foreign key value in Table A to match an existing value in Table B before retrying the insertion operation.
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20th century music embraces extremism in any aspect of music, more than any other area in history. group of answer choices true false
False 20th century music embraces extremism in any aspect of music, more than any other area in history.
While there were certainly instances of extreme musical styles or movements in the 20th century, it is not accurate to say that it embraced extremism in any aspect of music more than any other area in history. There have been periods in the past, such as the Baroque era, where musical styles were quite ornate and complex. Additionally, there are plenty of examples of contemporary music that do not fall into the category of extremism. Therefore, it would not be accurate to make such a broad generalization about 20th century music.
It is important to recognize that the term "extremism" can be somewhat subjective and open to interpretation. However, even with that caveat in mind, it is difficult to make the case that 20th century music was more extreme than any other era in history. While there were certainly movements like atonal music or serialism that pushed the boundaries of traditional Western music, there were also plenty of other styles that did not fall into that category. For example, jazz and popular music were incredibly influential in the 20th century and often had a more accessible and less avant-garde sound.
Furthermore, it is worth noting that there were other periods in history where music was just as complex and ornate as some of the more extreme 20th century styles. For example, the Baroque era was characterized by intricate polyphony and virtuosic instrumental writing. Similarly, the Romantic era featured composers like Wagner and Mahler who wrote incredibly long and elaborate pieces of music that were sometimes criticized for being overly indulgent.
Ultimately, it is important to recognize that musical styles and movements are always evolving and changing. While there were certainly extreme examples in the 20th century, it is not accurate to make the blanket statement that it was more extreme than any other era in history.
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the caves of ajanta are famed for which of the following? a. later indian painting tradition b. history of the reign of ashoka c. sexually explicit sculpture d. early indian painting tradition
The correct answer is D, the caves of Ajanta are famed for early Indian painting tradition.
The Ajanta Caves, located in Maharashtra, India, are renowned for their ancient rock-cut Buddhist cave monuments and murals. The cave paintings at Ajanta are considered to be the finest surviving examples of early Indian mural art, depicting scenes from the life of Buddha and the Jataka tales.
The Ajanta Caves, located in Maharashtra, India, are known for their exceptional early Indian paintings that depict various episodes from the life of the Buddha and stories from the Jataka tales. These caves are a UNESCO World Heritage site and are a prime example of ancient Indian art, illustrating the skill and craftsmanship of the artists from that period.
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compare the sounds of different pitches (a) with actually recognizing a tune you learned to play on the piano as a child (b): a is to b, like:
Comparing sounds of different pitches and recognizing a tune learned on the piano as a child are analogous concepts. Here option C is the correct answer.
When comparing sounds of different pitches, one is analyzing and distinguishes between the frequencies of the sounds. This involves paying attention to the highs and lows of the sound waves and identifying the differences in pitch between them. On the other hand, recognizing a tune learned on the piano as a child involves recalling and identifying a specific sequence of notes that make up a melody.
While the processes involved in these two concepts are different, they are analogous in that both require an understanding and awareness of the different notes and pitches involved in music.
The ability to distinguish between different pitches and identify a specific melody are both fundamental skills in music, and they complement each other. A person who is good at recognizing a tune learned on the piano as a child is likely to have a good ear for comparing sounds of different pitches, and vice versa.
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Complete question:
Which of the following best represents the relationship between comparing sounds of different pitches and recognizing a tune learned on the piano as a child?
A) Synonyms
B) Antonyms
C) Analogous
D) Contradictory
Madonna's mega-success in the popular music realm can be attributed to the fact that she was born into a wealthy and highly influential family that provided support for all her artistic endeavors along the duration of her long career.
a. true
b. false
Answer:
False she was not born into a wathy family
Explanation:
The given statement "Madonna's mega-success in the popular music realm cannot be solely attributed to the fact that she was born into a wealthy and highly influential family that provided support for all her artistic endeavors along the duration of her long career" is false because while it is true that having access to resources and connections can provide opportunities for success, it is not the only determining factor.
Madonna's success is largely due to her unique talent, hard work, and determination to succeed in the music industry. She consistently reinvented herself and pushed boundaries, which helped to set her apart from other artists.
Additionally, her ability to connect with her audience and address social and political issues in her music also contributed to her success. While her upbringing may have provided some advantages, it is her talent and drive that have made her a music icon.
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Jackson pollock developed which style of abstract art?.
Answer:
abstract expressionism
Explanation:
Jackson Pollock was a leading exponent of Abstract Expressionism, An art movement characterized by the free-associative gestures in paint
At the end of the nineteenth century, live music was played during the projection of films, primarily to
Live music was performed during cinema projections around the end of the nineteenth century, mostly to enhance the emotional impact of the films. Here option B is the correct answer.
The primary purpose of this practice was to enhance the emotional impact of the films. The music was intended to set the mood, create tension, and provide an emotional resonance with the images on the screen.
This was a time when films were silent, and music was an essential component in conveying the intended emotions to the audience. Live musicians would often perform on-site, providing a unique experience for each screening. The music would be synchronized with the film, emphasizing certain elements such as action, suspense, or drama.
While attracting more audiences to the cinemas was a secondary benefit, the primary goal was to make the films more engaging and memorable for the viewers. Live music helped to create a more immersive experience, making the films more impactful and enjoyable. Thus, the practice of playing live music during film projection was an important innovation in the development of cinema as an art form, and it continued to be a common practice for many years.
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Complete question:
At the end of the nineteenth century, live music was played during the projection of films, primarily to
A) Attract more audience to the cinemas
B) Enhance the emotional impact of the films
C) Cover up the noise of the film projectors
D) Help the audience understand the story of the films
what characteristics make perez de aguilar's painter's cupboard representational? multiple select question. using shadow to reveal the direction of the light recreating the materials as they appear painting the light as it appears in the real world fragmenting the objects in the cupboard
Using shadow to indicate the direction of the light is one of Perez de Aguilar's representational techniques. Option 1 is Correct.
This piece mimics a niche-mounted cabinet with two boards installed as shelves, a glass cover kept in place by a thin wooden frame, a lock in the left jamb from which several keys dangle, and a glass door. It appeared to be nearly alive.
Poets and writers were enthralled by the painting's mystique. It was exhibited at the brand-new Louvre Museum. Focus moved from the finished item to the creation process. How do museums affect the perception of a piece of art? The piece's significance is altered by the removal of the original environment. Option 1 is Correct.
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Correct Question:
what characteristics make perez de aguilar's painter's cupboard representational? multiple select question.
1. using shadow to reveal the direction of the light
2. recreating the materials as they appear
3. painting the light as it appears in the real world
4. fragmenting the objects in the cupboard
As long as we got each other was the theme song to which 80s sitcom?.
Answer:
As Long As We Got Each Other (Theme From Growing Pains)
by B.J. Thomas
Explanation:
pls mark brainliest
which movement(s) in a baroque concerto was/were set in a fast tempo? a. the first movement b. the middle movement c. the final movement d. the first and third movements
The first and third movement (s) in a Baroque concerto is/were set to a fast tempo. Here option D is the correct answer.
In a Baroque concerto, which is a musical composition typically composed of three movements, the first and third movements were usually set in a fast tempo, while the middle movement was slower.
The first movement, known as the "allegro," is typically the most energetic and fast-paced movement in a concerto. It often features virtuosic solos from the soloist(s) and a lively interplay between the soloist(s) and the orchestra.
The middle movement, on the other hand, is usually slower and more introspective in nature. It is often in a contrasting key and provides a moment of rest and reflection before the final movement.
The final movement, known as the "presto" or "allegro," is similar in tempo and energy to the first movement. It often features a return to the themes and motifs introduced in the first movement and brings the concerto to a thrilling conclusion.
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true or false tonality and 20th century music expanded through the use of bitonality, polytonality and atonality.
The given statement 'tonality and 20th century music expanded through the use of bitonality, polytonality and atonality' is true.
In music,efers to the simultaneous usage of many keys. Bitonality is the simultaneous use of just two distinct keys. The simultaneous usage of multiple harmonic functions from the same key is known as polyvalence or polyvalency.
Music that lacks a tonal centre, or key, is considered atonal in the broadest sense. When used in this sense, atonality refers to compositions that were created between roughly the early 20th century and the present day and in which the notes of the chromatic scale are used independently of one another without the use of a hierarchy of harmonies centred on a single, central triad.
Atonality, used more specifically, refers to music that deviates from the tonal hierarchies that characterised European classical music.
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music without a program, relying entirely on structures of sound for its expressive power, is called a. incidental music. b. program music. c. symphonic poem. d. absolute music.
The term that describes music that relies entirely on the structures of sound for its expressive power is absolute music. Absolute music is music that is not connected to any outside source or story and does not have any descriptive elements.
It is simply music for music's sake. This type of music was prevalent in the Classical period, and composers such as Wolfgang Amadeus Mozart and Ludwig van Beethoven wrote numerous works in this style. Absolute music is often characterized by its formal structure, which is usually very clear and follows traditional forms such as sonata form, rondo, or theme and variations. The focus is on the beauty of the music itself, and the emotional impact it has on the listener.
Program music, on the other hand, is music that is associated with a specific story, image, or idea. It is meant to evoke a particular mood or atmosphere and often includes descriptive elements such as titles, program notes, or musical motifs that represent characters or events in the story. Symphonic poems are a type of program music that was popular in the Romantic period and are usually a single movement work that tells a story or describes a scene. Incidental music is also program music but is meant to accompany a specific theatrical or cinematic production. In contrast to absolute music, program music relies on outside sources to provide its expressive power, and often includes extra-musical elements that enhance its emotional impact.
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