The phrase surrealism can be translated as "beyond the real." This statement is true.
The term surrealism is derived from the French word "surréalisme," which literally translates to "beyond realism" or "super-realism." It is an art movement that emerged in the early 20th century, primarily in Europe, and is characterized by its use of dreamlike, fantastical, and often bizarre imagery that challenges the conventional notions of reality and rationality.
Surrealism was a response to the political and social turmoil of the time and aimed to liberate the unconscious mind, allowing artists to tap into their deepest emotions, desires, and fears. The movement was heavily influenced by the ideas of Sigmund Freud, who believed that the unconscious mind played a crucial role in shaping human behavior and experience.
Surrealism has had a lasting impact on the art world, and its influence can be seen in various forms of art, including painting, sculpture, literature, film, and even fashion.
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What note of the scale is rarely, if ever, lowered when singing blues?
In blues music, the notes of the scale are often bent or altered to create a distinctive sound. One note that is rarely, if ever, lowered when singing blues is the third note of the scale, also known as the "major third."
In traditional Western music theory, the major third is considered a stable and consonant note. However, in blues music, it is often bent slightly sharp or flattened slightly, creating a distinctive sound that is sometimes described as "blue notes."
This bending of the major third is one of the key features that distinguishes blues music from other genres. While other notes in the scale may also be bent or altered in blues music, the major third is particularly important because it helps to establish the tonality and mood of the song.
By leaving the major third unlowered, singers are able to maintain a sense of stability and resolve within the song, even as they explore the complex emotions and themes that are central to the blues.
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When will character meet and greets return to disney world.
Answer: If you search it up, it says April 18, 2022.
I hope this helped in some way
How many backup dancers appear in beyoncé’s ""single ladies"" music video?.
Answer:
there was two
Explanation:
Composers use all types of sounds and manipulate and recombine them on tape to create what?
Composers use all types of sounds, including natural sounds, electronic sounds, and traditional musical instruments, to create a vast range of sonic materials.
They manipulate and recombine these sounds using various techniques such as filtering, pitch-shifting, time-stretching, and spatialization to create innovative and complex soundscapes.
Through the use of tape recording, composers can create multilayered sound collages that can be assembled in ways that are impossible to reproduce in a live performance. They can also experiment with the placement of sounds within the stereo or surround sound field, creating immersive environments that transport listeners to other worlds.
The resulting compositions can range from abstract sonic explorations to highly structured works that incorporate elements of traditional musical forms. Composers who work with tape music often challenge conventional notions of melody, harmony, and rhythm, exploring the full range of possibilities offered by the medium.
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in this excerpt from the end of the first movement of symhpony no 5, beethoven features which instrument
This instrument is included in the oboe passage from Symphony No. 5's first movement.
Analysis. When a symphony was performed during Beethoven's time, listeners had specific expectations about the melodic composition and general structure of the work. Exposition, Development, and Recapitulation make up the three sections of the opening movement, which is often in sonata form.
Beethoven's Symphony No. 5's first movement is in sonata-allegro form, a style of music that resembles a book or a screenplay. Beethoven's Fifth Symphony's opening movement, an original Allegro with brio, has a speed of 108 half notes per minute (bpm). The Fifth Symphony has numerous riddles and intriguing tales beyond this simple one-sentence explanation, notably the opening notes, the renowned destiny theme!
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Correct Question:
In ______ excerpt from the end of the first movement of symphony no 5, Beethoven features which instrument.
this playwright founded el teatro campesino and was commissioned by the mark taper forum to write zoot suit.
Luis Miguel Valdez, an American dramatist, screenwriter, director, and actor, was born on June 26, 1940. The play Zoot Suit, the film La Bamba, and the founding of El Teatro Campesino are among Valdez's most well-known works. He is regarded as the father of Chicano film and playwriting.
El Teatro Campesino and its founder and creative director, Luis Valdez, have established the benchmark for Latino theatrical performance in the United States since the organization's foundation.
One of the most significant and prominent playwrights in America today is LUIS VALDEZ (playwright/director). Luis Valdez, a Chicano who was one of ten children of farmworkers who followed the crops for a living, made the events of the period stand out starting in 1965.
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which statement about the romantic-era symphony is true? a. the romantic symphony follows the exact forms and proportions of the classical genre of beethoven. b. the first movement of a romantic symphony is usually the most dramatic and features the use of sonata-allegro form. c. the scherzo movement in nineteenth-century symphonies generally is characterized by a slow march tempo. d. the romantic symphony cycle typically has three movements.
Statement b is true - the first movement of a romantic symphony is usually the most dramatic and features the use of sonata-allegro form. However, it's important to note that this is not the only defining characteristic of a romantic-era symphony.
While some romantic-era symphonies may follow the forms and proportions of classical symphonies, many composers of this period also experimented with new forms and structures. The scherzo movement in nineteenth-century symphonies is typically characterized by a fast, playful tempo, rather than a slow march tempo. Additionally, while some romantic-era symphonies may have three movements, it's not uncommon for them to have four or even five movements.
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The famous hero theme of the Star Wars films begins about nine seconds into this section. How would you characterize the very beginning of the piece, which introduces the hero theme?
Around nine seconds into this section, the famous hero theme from the Star Wars films begins. You will open the composition triumphantly and grandly, introducing the hero theme. Here option D is the correct answer.
The piece begins with a powerful blast from the brass section, immediately establishing a sense of gravitas and importance. The timpani also plays a significant role in the opening, providing a strong and steady rhythm that adds to the sense of momentum and energy.
As the melody begins to emerge, it is carried by the brass section and is joined by the strings, creating a sense of soaring majesty. The melody itself is characterized by a series of rising and falling phrases, which contribute to the sense of drama and anticipation. The overall effect is one of heroism, power, and nobility, perfectly setting the stage for the epic space opera that is to follow.
Overall, the very beginning of the Star Wars hero theme is a masterful example of how music can be used to create a sense of grandeur and excitement and has become one of the most recognizable and beloved pieces of film music in history.
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Complete question:
The famous hero theme of the Star Wars films begins about nine seconds into this section. How would you characterize the very beginning of the piece, which introduces the hero theme?
A) Slow and somber
B) Bright and playful
C) Dark and menacing
D) Grand and triumphant
the 2000 best musical tony went to which controversial dance-based musical directed by susan stroman?
The 2000 Tony Award for Best Musical went to the musical called 'Contact', directed and choreographed by Susan Stroman.
It is a dance-based production which tells its stories primarily through its choreography, without any dialogue. The musical was considered controversial as it did not have an original score and featured pre-recorded music.
However, it was praised for its creative production and inventive storytelling, and went on to win four Tony Awards in total, including Best Choreography and Best Direction of a Musical.
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