this term refers to choral music that uses voices only, with no accompanying instruments.

Leonard Bernstein became the first American-born conductor to be appointed as the director of a major symphony orchestra.

Leonard Bernstein made history by being appointed as the director of the New York Philharmonic in 1958. This significant achievement marked the first time an American-born conductor was entrusted with the leadership of a renowned symphony orchestra.

Bernstein's appointment to such a prestigious position highlighted his exceptional musical talent and accomplishments, as well as the growing recognition of American musicians on the international stage.

Bernstein's tenure with the New York Philharmonic lasted for 11 years and played a vital role in shaping the orchestra's reputation and musical direction.

His innovative approach, charismatic conducting style, and commitment to musical education and outreach left a lasting impact on the world of classical music and solidified his place as one of America's most influential conductors.

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The type of seventh chord that is constructed on top of a diminished triad is a diminished seventh chord. The correct option is D.

A diminished triad is made up of two minor thirds stacked on top of each other, resulting in a structure that has a dissonant and unstable quality to it. Adding a fourth note to this triad, which is another minor third above the top note of the triad, results in a diminished seventh chord.

This type of chord is characterized by its highly dissonant and tense quality, which makes it a popular choice in certain types of music, such as jazz and classical music. The diminished seventh chord is often used as a passing chord, as it creates a strong sense of tension that can be resolved by moving to another chord.

The correct option is D.

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------------The given question is incomplete, the complete question is:

"Which of the following options represents the type of seventh chord that is constructed on top of a diminished triad?

A. Diminished seventh chord

B. Half-diminished seventh chord

C. Minor seventh chord

D. Major seventh chord"--------------

A work can still display unity, even if none of the visual elements has anything in common, if:

1. There is a consistent theme or concept throughout the work: A unifying idea or message can help bring together different visual elements and create a sense of unity.

2. The use of repetition, rhythm, or pattern: Even if the visual elements themselves are not similar, the way they are arranged or presented can create unity through repetition, rhythm, or pattern.

3. The use of color, value, or contrast: A consistent color palette, value range, or use of contrast can create visual harmony and help unify different elements.

4. The use of space or composition: The way elements are arranged within a space or how they relate to each other through composition can also create unity.

5. The use of proportion, scale, or balance: Ensuring that the elements are proportionate, scaled correctly, or balanced within the work can contribute to a sense of unity.

In summary, even if none of the visual elements in a work have anything in common, unity can still be achieved through the use of consistent themes, repetition, color, composition, and proportion.

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The minimalists seemed to be asking the question of what constitutes art with their works.

Minimalist art was characterized by its simplicity and emphasis on the object itself rather than any representational or symbolic meaning. The artists involved in this movement sought to strip away any extraneous elements and focus on the essential qualities of their chosen materials. By doing so, they called into question traditional notions of art and challenged viewers to consider what exactly art was and what its purpose could be.

The minimalists were interested in exploring the fundamental nature of art and its relationship to the world around us. By creating works that were stripped down to their most basic elements, the minimalists were able to investigate these questions and push the boundaries of what art could be. Ultimately, they challenged viewers to reconsider their assumptions about art and to see the beauty in simplicity and minimalism.

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Answer:

Béla Bartók

Explanation:

Béla Viktor János Bartók was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. 

The first major movie with multiple scenes and a plot was the 1902 French film "A Trip to the Moon" (Le Voyage dans la Lune) directed by Georges Méliès.

Prior to "A Trip to the Moon," movies were typically short, one-scene films that captured a simple action or event, such as a person sneezing or a train arriving at a station. Méliès, a magician turned filmmaker, saw the potential for using film to tell a story and create a sense of wonder and fantasy. "A Trip to the Moon" was a groundbreaking film that combined multiple scenes and special effects to tell the story of a group of astronomers who travel to the moon and encounter strange creatures and landscapes.

While "A Trip to the Moon" is often cited as the first major movie with multiple scenes and a plot, it's important to note that there were other filmmakers experimenting with narrative storytelling at the time. For example, Edwin S. Porter's 1903 film "The Great Train Robbery" was one of the first films to use cross-cutting and multiple camera angles to create a sense of action and suspense. However, "A Trip to the Moon" is notable for its use of special effects and fantastical imagery, which set the stage for the development of science fiction and fantasy films in the years to come. Overall, "A Trip to the Moon" was a groundbreaking film that pushed the boundaries of what was possible in cinema at the time. Its success paved the way for other filmmakers to experiment with narrative storytelling and create more complex and ambitious films.

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Yes, ties can be drawn above the noteheads of the notes they connect when the stems are pointing upward. This notation convention is commonly used in musical scores to indicate that the duration of the tied notes should be added together.

By placing the tie above the noteheads, it helps to maintain the clarity and readability of the musical notation. When stems of the notes in a musical score are pointing upward, ties are positioned above the noteheads to connect them.

This practice is essential for indicating that the duration of the tied notes should be combined. Placing the tie above the noteheads ensures legibility and helps musicians easily interpret the intended musical phrase. Following established notation conventions enhances the clarity and understanding of the music being performed.

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False, the Romantic symphony does not follow the exact forms and proportions of the classical genre of Beethoven. While the classical period emphasized balance, clarity, and structure, the Romantic period emphasized emotion, individual expression, and freedom.

Romantic composers like Schubert, Berlioz, and Tchaikovsky expanded the orchestra, added new instruments, and experimented with different forms, including program music and symphonic poems. They also used techniques like chromatic harmony, expanded tonality, and dissonance to create new colors and textures. One significant difference between the classical and Romantic symphony is the use of programmatic elements. Program music is instrumental music that tells a story or describes a scene, while absolute music is music without an explicit narrative or descriptive content. Many Romantic symphonies, such as Berlioz's Symphonie Fantastique or Tchaikovsky's Symphony No. 6, have programmatic elements that reflect the composer's personal experiences or literary influences. In contrast, Beethoven's symphonies, while emotional and expressive, do not have explicit programmatic content.In terms of structure, the Romantic symphony also deviated from the classical model. While Beethoven's symphonies typically have four movements and follow a strict sonata-allegro form in the first movement, Romantic symphonies often have five or more movements and experiment with different formal structures. For example, Tchaikovsky's Symphony No. 4 has a sonata form first movement, a slow second movement, a scherzo third movement, and a theme and variations fourth movement, followed by a triumphant finale.In conclusion, while the Romantic symphony shares some similarities with the classical symphony, it reflects the changing musical tastes and ideals of the 19th century.

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Romeo finds out from the Nurse, in Act III Scene 2 of William Shakespeare's play "Romeo and Juliet," that Juliet is upset and crying because she thinks that Romeo is dead.

The Nurse believes that Romeo has been killed by Tybalt's vengeful friends after the death of Tybalt. Romeo is also upset upon hearing this news because he feels responsible for Tybalt's death, which was caused by his own hand. He then decides to flee from Verona before he is caught and executed. The Nurse agrees to help Romeo meet with Juliet one last time before he leaves Verona. Romeo and Juliet's relationship is now in great peril due to the feud between their families and the tragic events that have unfolded.

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It is false that Ballad is another word for comedic opera in England. A ballad is a narrative poem or song that typically tells a story, often involving folk tales or legends. It is not synonymous with a comedic opera in England. Comedic operas, also known as comic operas, are lighter, more humorous productions that usually have a happy ending.

A ballad is a type of narrative poem or song that tells a story and it often has a simple and repetitive structure, with a focus on storytelling or conveying the emotions.

Ballads can also cover various themes such as love, tragedy, or historical events. In the context of music, ballads are  slow, melodic songs that express emotions or tell a story.

Both ballads and comedic opera are forms of artistic expression but they belong to different genres and serve different purposes.

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The term that refers to the relative highness or Lowness of sound is pitch. Long answer: Pitch is a fundamental aspect of sound and is determined by the frequency of the sound waves. High-pitched sounds have a higher frequency and low-pitched sounds have a lower frequency.

Pitch is important in music, as it allows us to distinguish between different notes and create melodies and harmonies. In speech, pitch can also convey meaning and emotions, such as a rising pitch indicating a question or uncertainty, or a falling pitch indicating a statement or confidence.

The term that refers to the relative highness or lowness of sound is "pitch."Elements are the various components that make up music. They are the foundations of music. When you write music, you employ musical elements to construct it, much way a builder uses bricks to construct a house.

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The relative highness or lowness of sound is referred to as pitch. It is our perception of sound frequency. Besides pitch, the other aspects of sound include loudness and timbre.

The term that refers to the relative highness or lowness of sound is pitch. Pitch is the perception of frequency in a sound. For instance, sounds below 20 Hz are called infrasound, whereas those above 20,000 Hz are ultrasound. Besides pitch, there are other aspects of sound such as loudness and timbre. The perception of intensity is called loudness. Timbre, on the other hand, refers to the shape of the wave that arises due to different combinations of frequencies and intensities. It's what makes us distinguish between a violin and a piano playing the same note.

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During a concerto performance, the soloist typically communicates with the conductor through a series of cues and gestures. To indicate the end of a cadenza, the soloist may make eye contact with the conductor, nod their head, or perform a specific gesture agreed upon during rehearsals.

Additionally, the soloist may also follow a predetermined musical cue, such as a specific chord progression, to signal the end of the cadenza to the conductor. Overall, clear and effective communication between the soloist and conductor is essential for a successful concerto performance.To answer your question on how a concerto soloist would let the conductor know that a cadenza was ending, the soloist would typically use visual and auditory cues. These cues might include.

A slight pause or breath before the final note or phrase of the cadenza. Eye contact with the conductor to signal that the cadenza is ending. A change in body language or posture, such as turning towards the conductor or adjusting the position of the instrument. A clear and strong final note or chord, which is often emphasized or sustained to indicate the conclusion of the cadenza.By utilizing these cues, the soloist can effectively communicate with the conductor and the rest of the orchestra, ensuring a smooth transition from the cadenza back into the full ensemble performance.

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"exoticism." this trend inspired composers to write music that evoked scenes or sounds of far-off lands. To describe this trend, it refers to the use of musical elements that are characteristic of a foreign culture or place.

Composers during this time were fascinated by the idea of incorporating non-western musical traditions into their own compositions. This trend was largely influenced by the growth of colonialism and imperialism, which brought new cultures and musical traditions into contact with one another. Through exoticism, composers could explore new sounds and themes, creating unique and memorable compositions that captured the imagination of audiences around the world.

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Answer:

Kurt Russell

Explanation:

The actor who made his film debut at age 10, kicking Elvis Presley in the shin, was Kurt Russell. The film was "It Happened at the World's Fair" (1963), and Kurt Russell played the role of a young boy named "Sue-Lin" who tries to steal a prize from Elvis Presley's character. This was the beginning of Kurt Russell's long and successful career in Hollywood, and he went on to become a prominent actor in a variety of films and TV shows, including "Escape from New York," "Big Trouble in Little China," and "The Hateful Eight," among many others.

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Two types of automotive paint finishes are solid and metallic.

Solid paint finishes are a single, uniform color with no added metallic flakes. They are the most common type of paint finish and are typically less expensive than metallic finishes. Solid finishes can be either gloss or matte, depending on the desired look.

Metallic paint finishes, on the other hand, contain added metallic flakes that give the finish a shimmering, reflective quality. They are often used for luxury or high-performance vehicles and can be more expensive than solid finishes. Metallic finishes can come in a range of colors, and the intensity of the metallic effect can be adjusted by changing the size and concentration of the metallic flakes in the paint.

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The explanation that "Clowns are painted to try and look happy" is the one that best explains a symbol in Cindy Sherman's Clown Series.

Cindy Sherman's Clown Series features self-portraits of the artist dressed up as a clown in various poses and costumes. The use of clowns as a subject matter can be seen as a symbol of the performative nature of identity and the ways in which we present ourselves to the world.

In particular, the idea that clowns are painted to try and look happy can be seen as a commentary on the pressures to conform to societal expectations of happiness and cheerfulness, even when we may not feel that way internally.

The use of clown imagery also allows Sherman to explore themes of disguise, masquerade, and the construction of identity.

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Answer:this is the clown

Explanation:fyi

The instrument that derives its name from the Italian word meaning "soft-loud" is the piano.

The word "piano" is short for "pianoforte," which refers to the instrument's ability to produce both soft (piano) and loud (forte) sounds. The piano is a keyboard instrument that uses hammers to strike strings and produce sound. The keys on a piano are connected to the hammers, which strike the strings when the keys are pressed. The force with which the keys are pressed determines the volume of the sound produced, allowing the player to create both soft and loud sounds. The piano was invented in Italy in the early 1700s and has since become one of the most popular and versatile instruments in the world, used in a wide range of musical genres from classical to pop.

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Professional and amateur music making expanded in the Renaissance through various vocal and instrumental genres.The statement, "Professional and amateur music making expanded in the Renaissance through various vocal and instrumental genres," is true.

During the Renaissance period, music-making became more widespread with the development of different vocal and instrumental genres. This expansion allowed both professionals and amateurs to participate in music-making, leading to the growth of the musical culture of that era.

Professional and amateur music making expanded in the Renaissance through various vocal and instrumental genres," is true.This expansion allowed both professionals and amateurs to participate in music-making, leading to the growth of the musical culture of that era.

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True. Many of the musical styles that stem from the African king tradition, such as jazz, blues, and rock and roll, are at the core of musical making throughout the world today. These styles have had a significant impact on music around the world and continue to be influential today.  

The African king tradition refers to the cultural practices and musical traditions that developed among African societies in which kings played a central role. These traditions often involved elaborate ceremonies and rituals, and music played an important role in these events. Many of the musical styles that developed in this tradition, such as jazz, blues, and rock and roll, have had a profound impact on music around the world.

Jazz, for example, originated in the African American community in the United States in the late 19th and early 20th centuries. It was heavily influenced by the musical traditions of West Africa, including the griot tradition, which involves the telling of stories and the preservation of history through music. Blues, another style that originated in African American communities, was also influenced by African musical traditions, as well as by European folk music.

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The example that features melismatic singing is example D.

Melismatic singing is a style of singing in which a single syllable is stretched over multiple notes, creating a melodic run or riff. In example D, the singer stretches the word "love" over several notes, showcasing melismatic singing. Examples A, B, and C do not feature melismatic singing as there are no instances of a single syllable being stretched over multiple notes.

It's important to note that melismatic singing is a common technique used in various genres of music, including R&B, gospel, and classical music.

Overall, melismatic singing is a unique and expressive vocal technique that adds depth and complexity to a performance. It has been used in various genres of music, including classical, pop, and R&B.

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In "The Scarlet Ibis" by James Hurst, Brother leaves Doodle in the rain for several reasons. Firstly, Brother is frustrated and disappointed with Doodle's inability to walk.

He had been pushing Doodle to walk and was frustrated that he wasn't making progress. Secondly, Brother was angry with Doodle for not keeping up with him during their run. Brother's pride was hurt, and he felt that Doodle was holding him back. Finally, Brother was consumed by guilt and shame after Doodle's death. He regretted his actions and saw leaving Doodle in the rain as a symbol of his neglect and selfishness.The rain itself is also symbolic in the story. It represents the harsh and unforgiving nature of the world. It is also a symbol of rebirth and renewal. Brother leaving Doodle in the rain can be seen as a metaphor for him abandoning Doodle to face the harshness of the world alone. It can also be seen as a representation of Doodle's eventual death, as the rain foreshadows the storm that leads to Doodle's tragic end.Overall, Brother's decision to leave Doodle in the rain is a complex one, driven by his frustration, anger, and guilt. It is a pivotal moment in the story that sets in motion the events leading to Doodle's death.

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The statement about pre-existing chance forming the basis for early monophony including Oranum is not clear and does not provide enough context for a definitive answer.

True, pre-existing chant did form the basis for early monophony, including organum. In the development of Western classical music, monophony emerged as the first texture, where a single melody line is sung or played without any accompanying harmony.

Organum, an early form of polyphony, evolved from monophonic Gregorian chant and was characterized by the addition of a second, parallel melody line at a fixed interval above or below the original chant melody. where a single melody line is sung or played without any accompanying harmony.

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Screenprinting is a printing technique primarily used for creating images on a variety of surfaces, like paper or fabric, rather than constructing sculptures.

Out of the five options given, one of them is not a method of constructing sculpture. Three methods of constructing sculpture are screenprinting, modeling, and casting. Assemblage and casting are also methods of constructing sculpture. Therefore, the answer is screenprinting. The method that is not one of the methods of constructing sculpture among the given options is "screenprinting." There are three main methods of constructing sculpture, which are modeling, assemblage, and casting.

Modeling is a method where an artist manipulates a soft and pliable material, like clay or wax, to form a desired shape. Assemblage is a technique where an artist combines various materials, such as found objects or different types of media, to create a sculpture. Casting involves creating a mold and then pouring a liquid material, such as metal or resin, into it to create the sculpture.

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False. Several members of Sly and the Family Stone did not play in James Brown's band. Sly and the Family Stone was a separate and distinct musical group, known for their unique blend of soul, funk, and rock.

There is no direct overlap of the members between Sly and the Family Stone and James Brown's band. Both Sly Stone and James Brown were influential figures in funk music during the 1960s and 1970s but their respective bands had different lineups.

Sly and the Family Stone, led by Sly Stone had various musicians including Larry Graham, Cynthia Robinson, Freddie Stone, Rose Stone, and Jerry Martini.

James Brown's band that is referred to as the J.B.'s, had its own set of notable musicians, such as Maceo Parker, Fred Wesley, Bootsy Collins, and Clyde Stubblefield.

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The one that describes the elements of art and principles of design used in Untitled (We Don't Need Another Hero) is option B. The grayscale photograph and typography create repetition

Art elements are the basic building blocks that artists use to create visual art. Design principles are guidelines that artists used to arrange art elements in a composition. They include: Balance, Contrast, Accent, Unity, Motion, Rhythm, and Variance.

Therefore, the correct answer is as given above. It could be concluded that the grayscale photograph and typography create repetition describes the elements of art and principles of design used in Untitled (We Don't Need Another Hero).

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The fixed melody used as a basis for elaborate polyphonic writing during the Renaissance is called a cantus firmus.

Cantus firmus is a Latin term that means "fixed melody." During the Renaissance period, composers often used a pre-existing melody as a basis for their compositions. The cantus firmus was usually taken from a Gregorian chant or other sacred music. Composers would then write elaborate polyphonic parts around this melody, creating complex and beautiful works of music.

The cantus firmus was an important technique used by Renaissance composers to create intricate and harmonically rich compositions. The fixed melody provided a solid foundation for the other voices to weave in and out of, creating a beautiful tapestry of sound. The cantus firmus was often used in sacred music, as it provided a unifying element to the composition. However, it was also used in secular music, particularly in vocal music such as madrigals. The use of the cantus firmus was one of the defining characteristics of Renaissance music, and its influence can still be heard in modern music today.

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The type of vocal work you are referring to is known as a strophic song. In this type of composition, the same music is used for each stanza of the poem, creating a repetitive structure that emphasizes the text.

This type of composition was popular in folk music traditions, as it allowed for easy memorization and participation by a group of singers.Strophic songs have been used in various genres of music, including classical art songs, popular music, and hymns. In classical music, composers such as Franz Schubert and Robert Schumann wrote many strophic songs, which often featured poetic texts by famous writers such as Goethe and Heine. In popular music, strophic songs have been used in folk, country, and rock genres, and have produced countless hits throughout the years.While the music may be the same for each stanza in a strophic song, the performer can add variations in dynamics, phrasing, and ornamentation to keep the music interesting and engaging. Additionally, composers can change the harmonies or key in subsequent verses to create a sense of progression or development within the piece.Overall, strophic songs are a versatile and enduring form of vocal music that continue to be enjoyed by audiences of all types.

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The "symphonic poem," also known as the "tone poem," which emerged during the early romantic era. This form of orchestral music was developed by composers such as Franz Liszt, Richard Strauss, and Bedřich Smetana.

To further explain, the symphonic poem was a departure from traditional symphonic forms, such as the symphony or the overture. Instead, it was a single-movement piece of music that was programmatic in nature, meaning it was based on a narrative or descriptive idea.

Symphonic poems were often inspired by literature, art, or historical events, and sought to capture the emotional essence of the subject matter through music. They were characterized by their use of lush harmonies, colorful orchestration, and innovative techniques such as thematic transformation.

In summary, the symphonic poem was a new orchestral form that emerged during the early romantic era, which sought to tell a story or convey a descriptive idea through music in a single-movement piece.

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The master shot is a wide-angle shot that captures the entire scene and all the characters in it. It is typically the first shot that is taken and is used as a reference for all the other shots that will be taken in the scene. The master shot can provide the viewer with several things, such as an overall view of the location, the characters' positions, the mood of the scene, and the interactions between the characters.

The master shot is too far away to capture small details, facial expressions, or emotions. Therefore, filmmakers will often use additional shots, such as medium shots, close-ups, or inserts, to provide the viewer with a more intimate view of the scene.

In summary, the master shot is a useful tool for providing the viewer with an overall view of the scene, but it cannot capture the smaller details or emotions that close-up shots can provide. The master shot typically does not provide the viewer with close-up details or intimate character interactions. It serves as a wide shot that establishes the setting.

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French impressionist music, as exemplified by composers like Claude Debussy and Maurice Ravel, was often inspired by B. the sounds and appearance of nature. The correct option is B).

Impressionist composers sought to capture the essence and evocative qualities of nature through their music, employing innovative techniques and harmonies to create atmospheric and sensory musical landscapes.

Debussy and Ravel, in particular, were fascinated by the interplay of light, color, and texture in visual art, and they sought to translate these qualities into their musical compositions. They explored the use of delicate melodies, rich harmonies, and ethereal orchestrations to depict the changing moods and impressions of the natural world.

For instance, Debussy's famous composition "La Mer" (The Sea) is a vivid musical portrayal of the ocean, capturing its vastness, fluidity, and ever-changing character. Ravel's "Daphnis et Chloé" is another example, with its lush orchestral palette and evocative depictions of sunrise, daylight, and nightfall. Hence option b) is the answer.

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