which song on the albulm let it be expressed this beatle's dissatisfaction with the two other members' treatment of him as a

In William Shakespeare's play Macbeth, it is England that invades Scotland at the end of the play. Here option A is the correct answer.

The play tells the story of Macbeth, a Scottish general who becomes consumed by ambition and greed for power, leading him to commit a series of murders to secure his place as king of Scotland. Macbeth's reign is marked by chaos, bloodshed, and instability, as he struggles to maintain his power and keep his secrets hidden.

As the play reaches its climax, Macbeth's tyranny and brutality have caused widespread unrest and rebellion among his subjects. In response, the English army, led by Siward, Earl of Northumberland, marches into Scotland to support the Scottish rebels and overthrow Macbeth.

The final battle takes place at Dunsinane Castle, where Macbeth is ultimately defeated and killed by Macduff, a Scottish nobleman who has been driven to seek revenge against him. Thus, the invasion of England serves as a pivotal moment in the play, marking the beginning of the end of Macbeth's doomed reign and leading to his ultimate downfall.

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Complete question:

Which nation invades Scotland at the end of the play?

A. England

B. France

C. Spain

D. Germany

Answer:

Maman

Explanation:

Although both pieces use harp arpeggios, Prélude à L'après-midi d'un faune makes extensive use of harp glissandos.

Prélude à L'après-midi d'un faune is a piece of music composed by Claude Debussy in 1894. It is known for its innovative use of harmony, timbre, and form, which established Debussy as a pioneer of modern music. One of the notable features of this piece is the heavy use of harp glissandos.

A harp glissando is a technique where the harpist rapidly slides their fingers across the strings, producing a shimmering, cascading sound. In Prélude à L'après-midi d'un faune, the harp glissandos are used to create a dreamy, impressionistic atmosphere that evokes the imagery of a faun wandering in a mythical forest. The glissandos are often played in unison with the flute, creating a sense of fluidity and unity between the two instruments.

Compared to the traditional use of the harp in classical music, which focused mainly on arpeggios and chords, Debussy's use of harp glissandos was innovative and groundbreaking. This technique has since become a hallmark of Debussy's style, and it influenced many composers who came after him. Prélude à L'après-midi d'un faune remains a timeless masterpiece, celebrated for its unique and visionary use of the harp.

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The following is true about Maori carvings is that these sculptures are often placed on the marae, a meeting place for the community. The correct option is b.

In Maori tradition, carving was a spiritual act that was encircled by tapu. All of the carving materials, including the wood chips and tools, were regarded as tapu and held in high esteem.

The same is true for the carvers who carved their elaborate designs into pounamu, a sacred object made of wood, stone, and other materials. Within the tribe, they enjoyed high regard. The fundamental tenet of this idea is that everything natural has a direct connection to the atua, the gods. Tane, the forest god, created wood, and trees were his offspring.

Pounamu was supposedly the offspring of Poutini, the taniwha who looked out for the deity Ngahue.

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Answer:

As Long As We Got Each Other (Theme From Growing Pains)

by B.J. Thomas

Explanation:

pls mark brainliest

Franz Schubert acted as a torchbearer at the funeral of Ludwig van Beethoven a year before his own death. Franz Schubert, an Austrian composer of the late Classical and early Romantic eras, was a great admirer of Ludwig van Beethoven.

In fact, he was one of the torchbearers at Beethoven's funeral in 1827. This was a significant honor for Schubert, as Beethoven was a towering figure in the world of music at the time. Schubert himself died the following year, at the age of only 31. A year before his own death, Franz Schubert acted as a torchbearer at the funeral of fellow composer Ludwig van Beethoven. In 1827, Franz Schubert participated in Ludwig van Beethoven's funeral procession as a torchbearer, paying his respects to the influential composer. Schubert himself passed away just a year later, in 1828.

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Impressionist painters were artists who sought to capture the world around them in a new and innovative way. They are best known for their unique techniques and styles, which set them apart from the traditional art of their time.

One of the key characteristics of impressionist painting is the focus on capturing the freshness of a first impression. Impressionists believed that the first impression of a scene or object was the most important, and sought to capture this initial impression on canvas. This often meant painting quickly and spontaneously, using loose brushstrokes and bold colors to create a sense of movement and energy.

Another hallmark of impressionist painting is the use of small dots and strokes of paint, known as "pointillism." This technique involved applying small dots of color to the canvas, which would blend together when viewed from a distance.

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An angular acceleration is at its lowest value when an item is in simple harmonic motion and its displacement from equilibrium is zero.

The Simple Harmonic Motion is an iterative back-and-forth motion through a central position or equilibrium where the maximum displacement on one side of this location is equal to the maximum displacement on the other side.

The period of every vibration is the same throughout. just kinetic. In S.H.M., the particle's velocity is greatest and displacement is smallest at the mean location, which is x=0. When an item is moving at its maximum speed in a simple harmonic motion, there is no acceleration. Maximum acceleration in SHM is equivalent to maximum mass displacement.

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Probably composed Eine petite Nachtmusik for string quartet with double bass accompaniment. True.

The four movements of Mozart's 1787 composition Eine Kleine Nachtmusik are usually performed by a string quartet or a chamber orchestra. Wolfgang Amadeus Mozart's Serenade No. 13 in G Major, K 525—also known as "A Little Night Music"—is praised for its vivacious, jovial tone and its enduring melodies.

It is composed for two violins, viola, cello, and double bass. The composer had lately lost his father, was short on employment, and was in financial trouble. It's possible that Mozart's joyous composition A Little Night Music was only an effort to shed some light on his rapidly becoming darker reality.

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Using shadow to indicate the direction of the light is one of Perez de Aguilar's representational techniques. Option 1 is Correct.

This piece mimics a niche-mounted cabinet with two boards installed as shelves, a glass cover kept in place by a thin wooden frame, a lock in the left jamb from which several keys dangle, and a glass door. It appeared to be nearly alive.

Poets and writers were enthralled by the painting's mystique. It was exhibited at the brand-new Louvre Museum. Focus moved from the finished item to the creation process. How do museums affect the perception of a piece of art? The piece's significance is altered by the removal of the original environment. Option 1 is Correct.

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Correct Question:

what characteristics make perez de aguilar's painter's cupboard representational? multiple select question.

1. using shadow to reveal the direction of the light

2. recreating the materials as they appear

3. painting the light as it appears in the real world

4. fragmenting the objects in the cupboard

European immigrant composers in the United States drew from various types of music to establish a national American school, but jazz, folk music, and classical music were among the most significant influences. Here options A, B, and C are the correct answers.

Jazz, which originated in African American communities, played an important role in shaping American music in the early 20th century. European immigrant composers, such as George Gershwin and Aaron Copland, incorporated jazz elements into their works to create a uniquely American sound.

Folk music, including traditional songs and melodies from different regions of the United States, also influenced European immigrant composers. Composers like Charles Ives and Virgil Thomson used folk music as a source of inspiration, incorporating it into their compositions to create distinctly American pieces.

Rock and Roll and hip-hop, on the other hand, emerged much later and were not significant influences on the establishment of a national American school by European immigrant composers in the early 20th century.

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Complete question:

Which of the following types of music did European immigrant composers in the United States draw from to establish a national American school?

A) Jazz

B) Folk music

C) Classical music

D) Rock and Roll

E) Hip-hop

The aspect of motion pictures that sets them apart from other forms of artistic expression, such as painting or music, is that they are time-based.

Unlike static forms of art, motion pictures have a temporal dimension that allows for the creation of a narrative and the manipulation of time and space. They are able to reflect an artist's vision of the world, but they also require expensive tools to make, and they are fundamentally made by machines of mass reproduction.

One aspect of motion pictures that sets them apart from other forms of artistic expression is that they are time-based. This means that motion pictures unfold over a specific duration and involve the element of time, unlike paintings or music which can be experienced more freely by the viewer or listener.

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Dada was an early 20th century artistic movement which embraced political anarchy, the irrational, and the intuitive.

Dada was an early 20th-century art movement in Europe that had its origins in Switzerland and flourished in Paris around 1920. Up until the middle of the 1920s, dadaist movements persisted. The Dada movement, which emerged in response to World War I, was made up of artists who rejected the aestheticism, logic, and reason of contemporary capitalism and instead used their art to communicate absurdity, irrationality, and anti-bourgeois protest.

The movement's artwork included collage, sound poetry, cut-up text, sculpture, and other forms of visual, written, and auditory expression. Dadaist artists voiced their displeasure with war, brutality, and nationalism while maintaining political ties to extreme leftist and far-left ideologies.

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The Tambaran cult of New Guinea did not illustrate a story to express their teachings in their painting from a Cult House. Option C is Correct.

The significant Vermeer sale of 1696 noted that this painting by Jan Vermeer, one of the finest examples of Dutch Realist genre painting, and a longtime favourite of both artists and critics, was "a maid pouring milk, exceptionally well painted."

Since only the larger View of Delft, it was undoubtedly highly admired.  Neoclassicism is the term used to describe the movement that took place in the late 18th and early 19th centuries, when well-known artists from all over the world tried to recreate the classical style of Roman and Greek art. Option C is Correct.

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According to the reading, radio stations no longer need to be worried about music mix because mobile music has become consumers' major source of music. This statement is false.

The reading does not suggest that radio stations no longer need to be concerned about the mix of music. In fact, the reading acknowledges the rise of mobile music as a primary source of music for listeners but also notes that radio stations continue to play an important role in music consumption.

The reading explains that radio stations must adapt to changing listener preferences and behaviors by diversifying their content and delivery methods. This includes offering unique programming and curated playlists that cannot be found on mobile music platforms. Additionally, radio stations can use technology to enhance their programming and engage with listeners through social media and other digital platforms.

Furthermore, while mobile music may be a popular source of music for many listeners, radio still reaches a large and diverse audience. Radio stations can leverage their broad reach and influence to promote new artists, introduce listeners to new music genres, and provide a sense of community through local programming and events.

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There were several aspects of the musical Oklahoma! that were unique in terms of the development of musical theatre in America. First and foremost, Oklahoma! was the first musical to fully integrate all aspects of production, including music, lyrics, book, choreography, and design. This integration allowed for a seamless and cohesive storytelling experience that was new to musical theatre at the time.

Another unique aspect of Oklahoma! was its use of dance as a storytelling device. Choreographer Agnes de Mille was integral to the creation of the show, and her balletic choreography helped to advance the plot and reveal character motivations in a way that had not been seen before in musical theatre. terms of music, Oklahoma! also broke new ground. The show's composer, Richard Rodgers, and its lyricist, Oscar Hammerstein II, sought to create songs that were character-driven and advanced the story, rather than just providing entertainment. This approach to musical storytelling was innovative and influential, and set the stage for many future musicals.

Overall, Oklahoma! was a game-changing musical that ushered in a new era of integration, storytelling, and innovation in musical theatre. Its influence can still be seen in the musicals of today, making it a true landmark in American theatre history.

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The excerpt mentioned in the question is not provided, so it is impossible to determine the exact theme being referred to. However, in general, the theme of a piece of music can be played by any combination of instruments or sections within the orchestra, depending on the composer's intention. It is not uncommon for a theme to be played by one particular section or instrument group, such as only the strings or only the woodwinds.

Alternatively, the full orchestra may be used to play the theme for a more grandiose and full-bodied effect. Therefore, without more information about the specific piece of music in question, it is difficult to determine which instrument group plays the theme.

Based on the information provided, it's not possible for me to determine the correct answer to your question as there is no specific excerpt mentioned. If you could provide more context or details about the excerpt, I would be happy to help!

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Answer:

abstract expressionism

Explanation:

Jackson Pollock was a leading exponent of Abstract Expressionism, An art movement characterized by the free-associative gestures in paint

Five themes found in the play "Julius Caesar" by William Shakespeare: 1. Power and Corruption 2. Manipulation and Deception 3. Loyalty and Betrayal 4. Fate versus Free Will 5. The Nature of Ambition


There are many themes present in the play Julius Caesar by William Shakespeare. Here are five options:
1. Ambition: One of the central themes in the play is ambition. Characters like Caesar, Brutus, and Cassius are all driven by their desire for power and status.
2. Betrayal: Another prominent theme is betrayal. Characters like Brutus and Cassius betray Caesar's trust, while Antony and Octavius ultimately betray Brutus and Cassius.
3. Fate vs. Free Will: The play also explores the tension between fate and free will. Characters like Caesar believe in the inevitability of their destiny, while others like Cassius argue that they have the power to shape their own fate.
4. Leadership: Leadership is a theme that runs throughout the play. Characters like Caesar and Brutus grapple with what it means to be a good leader, while Antony and Octavius compete for power and control.

Loyalty: Finally, loyalty is a key theme in the play. Characters like Brutus and Cassius must balance their loyalty to their friend Caesar with their loyalty to the Roman Republic, while Antony and Octavius rely on the loyalty of their soldiers and supporters to secure their power.

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Answer:

C.

Explanation:

Frédéric Chopin

Comparing sounds of different pitches and recognizing a tune learned on the piano as a child are analogous concepts. Here option C is the correct answer.

When comparing sounds of different pitches, one is analyzing and distinguishes between the frequencies of the sounds. This involves paying attention to the highs and lows of the sound waves and identifying the differences in pitch between them. On the other hand, recognizing a tune learned on the piano as a child involves recalling and identifying a specific sequence of notes that make up a melody.

While the processes involved in these two concepts are different, they are analogous in that both require an understanding and awareness of the different notes and pitches involved in music.

The ability to distinguish between different pitches and identify a specific melody are both fundamental skills in music, and they complement each other. A person who is good at recognizing a tune learned on the piano as a child is likely to have a good ear for comparing sounds of different pitches, and vice versa.

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Complete question:

Which of the following best represents the relationship between comparing sounds of different pitches and recognizing a tune learned on the piano as a child?

A) Synonyms

B) Antonyms

C) Analogous

D) Contradictory

False 20th century music embraces extremism in any aspect of music, more than any other area in history.

While there were certainly instances of extreme musical styles or movements in the 20th century, it is not accurate to say that it embraced extremism in any aspect of music more than any other area in history. There have been periods in the past, such as the Baroque era, where musical styles were quite ornate and complex. Additionally, there are plenty of examples of contemporary music that do not fall into the category of extremism. Therefore, it would not be accurate to make such a broad generalization about 20th century music.

It is important to recognize that the term "extremism" can be somewhat subjective and open to interpretation. However, even with that caveat in mind, it is difficult to make the case that 20th century music was more extreme than any other era in history. While there were certainly movements like atonal music or serialism that pushed the boundaries of traditional Western music, there were also plenty of other styles that did not fall into that category. For example, jazz and popular music were incredibly influential in the 20th century and often had a more accessible and less avant-garde sound.

Furthermore, it is worth noting that there were other periods in history where music was just as complex and ornate as some of the more extreme 20th century styles. For example, the Baroque era was characterized by intricate polyphony and virtuosic instrumental writing. Similarly, the Romantic era featured composers like Wagner and Mahler who wrote incredibly long and elaborate pieces of music that were sometimes criticized for being overly indulgent.

Ultimately, it is important to recognize that musical styles and movements are always evolving and changing. While there were certainly extreme examples in the 20th century, it is not accurate to make the blanket statement that it was more extreme than any other era in history.

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The demands of the people should be considered while developing huge housing complexes.True.

Planning and designing structures and spaces are both aspects of architecture. Architects are skilled at striking a balance between beauty and utility since these constructions must adhere to safety norms and building codes. The development of towns and cities was facilitated by architecture, which let people realise they no longer had to fend for themselves but could instead live linked lifestyles.

People who resided there constructed homes close by, which facilitated the rise of civilizations. Pre-design, schematic design, design development, construction papers, building permits, bidding and negotiation, and construction administration are the seven stages that make up the architectural design process. Realistic project deliverables are set at these periods.

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A character singing a recitative while they are discussing the action of an opera, frequently in a direct, syllabic manner.  

A fugue (/fju/) is a contrapuntal compositional style used in music. It is composed in two or more voices and is based on a subject (a melodic theme) that is presented at the beginning in imitation (repetition at various pitches) and returns repeatedly throughout the work.

Classical music emphasised formality, order, and hierarchy as well as a "clearer," "cleaner" style that used brighter contrasts and "tone colours" (achieved by using dynamic changes and modulations to more keys), as well as clearer divisions between parts (notably, a clear, single melody accompanied by chords).

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Attempting to insert a record into a table with a foreign key that references a non-existing value in another table will result in a foreign key constraint violation and prevent the insertion operation, ensuring referential integrity between the tables.

When attempting to insert a record into Table A that references a non-existing foreign key value in Table B, a foreign key constraint violation will occur. This means that the database management system (DBMS) will prevent the insertion operation and raise an error indicating that the foreign key constraint has been violated.

The foreign key constraint is a rule that enforces referential integrity between two tables. It ensures that the value inserted into a foreign key column of a child table (A) matches the value of the primary key column in the parent table (B). This relationship ensures that the data remains consistent and avoids orphaned records in child tables that have no corresponding record in the parent table.

When a foreign key constraint violation occurs, the DBMS will reject the insertion operation and roll back the transaction, leaving the data in its original state. The user will need to either insert a corresponding record into Table B or modify the foreign key value in Table A to match an existing value in Table B before retrying the insertion operation.

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The Firebird premiered at the Paris Opera in 1910, with choreography by Michel Fokine and sets and costumes designed by Alexander Golovin and Léon Bakst, respectively. It was a great success and launched Stravinsky's career as a composer of ballet music.

Igor Stravinsky's ballet The Firebird was commissioned by Sergei Diaghilev's Ballets Russes in 1909, and it premiered at the Paris Opera on June 25, 1910. The production was choreographed by Michel Fokine, with sets and costumes designed by Alexander Golovin and Léon Bakst, respectively.

The premiere of The Firebird was a great success, and it launched Stravinsky's career as a composer of ballet music. The score is full of lush melodies, colorful harmonies, and intricate rhythms, and it showcases Stravinsky's innovative use of orchestration and form.

The Firebird tells the story of Prince Ivan, who captures the mythical Firebird and is granted a magic feather in return. With the help of the feather, Ivan defeats the evil sorcerer Kashchei and wins the love of a beautiful princess.

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Answer: Revolution 9

Explanation:

Prelude à "L'après-midi d'un faune" was created to appeal to the listener's sensual and emotional imagination, whereas "The Moldau" was written to appeal to Bohemian nationalism.

"The Moldau" and Prélude à "L'après-midi d'un faune" are two influential musical works that represent different cultural and artistic contexts. "The Moldau" is a symphonic poem by Bedřich Smetana, composed in 1874 as part of a larger cycle of six symphonic poems called Má vlast (My Homeland).

The piece tells the story of the Vltava (Moldau) river, which flows through Bohemia, and its importance to the Czech people. Smetana aimed to evoke a sense of national pride and identity in his audience through his musical depiction of the river's beauty, history, and cultural significance.

On the other hand, Prélude à "L'après-midi d'un faune" was composed by Claude Debussy in 1894, and it was inspired by the symbolist poetry of Stéphane Mallarmé. The piece is a musical representation of the sensual and dreamlike world of a faun, a half-human, half-goat creature from Greek mythology. Debussy aimed to appeal to the listener's emotions and imagination through his innovative use of harmony, melody, and orchestration, creating a vivid and sensuous musical landscape that explores the boundaries of tonality and form.

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The juice from Lawsonia inermis is used to make dye for mehndi designs.

The solitary member of the genus Lawsonia, Lawsonia inermis, also referred to as the henna tree and Egyptian privet, is used to make the dye known as henna. Henna (mehndi) can also be used to describe temporary body art that is created when colours stain the skin.

Henna stains retain their colour for a few days after they reach their height, then gently exfoliate off over the course of one to three weeks. Henna has been used to colour skin, hair, and fingernails as well as materials like silk, wool, and leather since ancient Egypt and the Indian subcontinent.

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Answer:

Fox news

Explanation:

I think that's right